Saturday, April 21, 2018
Two Xmases ago, while flipping through a New Yorker magazine at the old Shadbolt house on Hornby Island, I found this AT&T ad from the early 1970s. I showed the ad to Hassan, who works in what was once called telecom, and he laughed, took its picture and returned to the kitchen to help Scott with the pasta.
Friday, April 20, 2018
Thursday, April 19, 2018
Wednesday, April 18, 2018
With my yearly membership about to expire, and a couple hours to kill before the 6:50 screening of The Black Panther, I visited the Vancouver Art Gallery to tour its shows.
On the third floor, John O'Brian's Bombhead -- a nice and spare and fitting companion to the ecstatic vomitorium that is the Murakami exhibition below it.
Bombhead highlights include Adolph Gottlieb's Untitled (1968), Robert Rauschenberg's Pages and Fuses (Page 1) (1974) and David Hockney's Picture of a Landscape (from A Hollywood Collection) (1965) together on one wall, and a series of five Nancy Spero gouache, ink on paper works from 1966-1968 on another
On the ground floor, The Herman Levy Legacy: A Cultivating Journey -- a portrait-heavy exhibition that features work from the Impressionists to the Neo-Expressionists of the 1980s.
Is it me or does Portrait of the Painter Richard X (v.1916-1917) by Chaim Soutine
Tuesday, April 17, 2018
With Anne and Gareth leaving the west coast for Québec this June I want to spend as much time with them as I can.
On Sunday Gareth and I met in their backyard for tea and garden observation. Following that, we drove to Iona Island for a walk.
Gareth took the wrong turn off the bridge and we ended up at that market town known as McArthur Glen, where well-known brands have shops subtitled "Factory Outlet," and you can get a Japadog that tastes like the bucket it came in.
The picture up top is of the north end of McArthur Glen. In a small gated area you can read in both English and Salish a didactic entitled "Who We Are From."
Below is a 1966 Dan Graham picture of tract housing in Bayonne, New Jersey:
On our walk back Gareth pointed out this oddity:
"What are they trying to protect?" he wondered, and I took its picture in case anyone might know.
Monday, April 16, 2018
I was unable to make Tim Lee's Robert Smithson talk at the Polygon Art Gallery yesterday. But Smithson was on my mind this morning after reading Carolina Miranda and Jeffrey Fleishman's Friday L.A. Times article on how images -- "fake" or otherwise -- are "shaping" politics.
Up top is Christos Dikeakos's picture of Smithson's Glue Pour (1970) performance at the UBC Endowment Lands. Below is Sgt. Louis Lowery's 1945 Iwo Jima flag-raising on Mount Suribachi, taken moments before Joe Rosenthal got there to take his own photos -- but with a bigger flag.
Sunday, April 15, 2018
A neighbour's plum I have eaten from for the past 25 years. Sad to see it come to this. But that's life, from gestation to birth through its slow decay -- like the last registrations of this chord, given to us by the Beatles in 1967.